Someone once said that aspiring writers are easily discouraged, and and followed up by saying “and they should be”. There’s a lot of bitter truth in that: writing is a very up and down business, and it’s certainly not a happy environment for the easily discouraged or the thin-skinned.
There’s also a sad truth in that observation: a lot of writers who have plenty of talent fall by the wayside just because they don’t have the resilience that this business needs.
Over the years I’ve done a lot of work with new writers, and one of the messages I hammer home (perhaps too much) is that stubbornness is a key part of a writer’s toolkit. We’ve all heard the stories of now-bestselling authors whose first novels were rejected dozens of times before finding a home. I’m not in that league, but my own first novel accumulated those rejections until the point where I had the choice of either consigning it to experience and a dusty box in the attic, or sending it to the last publisher on my list, one that really didn’t publish that kind of thing very often at all. I ended up with a three-book deal.
I was struck by this today, when I came across a piece on resilience on the excellent marketing blog, Wordofmouth. Yes, it’s about marketing and business, but the principles are the same. In the blog post, Mitch Joel argues that it’s not about winning or losing, but about resilience; in my experience, and the point I drum home when I’m teaching, it’s not about winning or losing, but about increasing your chances of getting that one victory that makes the big difference.
Pitching a novel isn’t about winning every time, it’s about winning once and resilience/stubbornness is a key part of how you can improve your chances of hitting that one victory that makes the difference between your book appearing, or it being consigned to the attic.