Category Archives: eric brown

New: Aethernet – the magazine of serial fiction

Aethernet Magazine

Serialised fiction from Tony Ballantyne, Chris Beckett, Eric Brown, Juliet E McKenna, Philip Palmer, Adrian Tchaikovsky, Ian Whates and more. Aethernet, the magazine of serial fiction, launches over the Easter weekend. And yes, I’ll be contributing a four-parter later this year.

Here’s what it says on the Aethernet website:

Aethernet MagazineNowadays, fiction is instantly available. There are many short fiction magazines available for download, you can download a story collection in ebook form and be reading it in under a minute.

Aethernet Magazine aims to satisfy a different need. Aethernet Magazine is aiming to reintroduce the pleasures of delayed gratification. Aethernet Magazine stands for the slow burn, the building excitement of waiting to see how a story plays out. We want to reintroduce the pleasure of the cliffhanger ending; the gradual reveal on lives building up to a bigger picture; the leisurely float down the river leading to some mysterious destination.

Our stories are presented over time. Aethernet Magazine is here to help you rediscover the pleasure of anticipation…

Aethernet Magazine will run for 12 issues. The first issue will go on sale on 30th March 2013, subsequent issues will be on sale on the first of the month from May 2013 onwards. Aethernet Magazine will be published as an ebook in mobi, epub and pdf formats.

Find out more:

New titles by Garry Kilworth, Eric Brown and James Everington due from infinity plus

I’m delighted to announce three new titles due soon in paperback and ebook format from infinity plus.

First up is The Fabulous Beast, a new collection from Garry Kilworth. This includes 18 stories, from Anglo-Saxon tales to fantasy, science fiction and horror, by an author described by Punch as “a master of his trade” and by New Scientist as “arguably the finest writer of short fiction today, in any genre.” Some of the stories in this book also featured in Garry’s ebook-only collection Phoenix Man (no longer available). Already available from infinity plus is Garry’s book of memoirs, On my Way To Samarkand, crammed with anecdotes about his farm worker antecedents and his rovings around the globe, as well as his experiences in the mid-list of many publishing houses.

James Everington‘s Falling Over is a wonderfully gritty and compelling collection of stories that tread the fine line between crime, horror and just downright strange. “Beautifully written, evocative, masterful…what shines through these stories is the author’s love of language” (Red Adept on James’s The Other Room).

And infinity plus stalwart Eric Brown returns with a book of the Salvageman Ed stories, rewritten as a single novel. Previously, we’ve brought out eight of Eric’s books, including early novels such as Meridian Days and Penumbra, his landmark collection The Time-Lapsed Man and other stories, the horror and ghost story collection Ghostwriting (which I think contains some of his best writing), and more.

These titles are due to appear from May to July, 2013.

In Transit – an extract from the novella by Keith Brooke and Eric Brown

Parallax View by Keith Brooke and Eric BrownThe White Swan left the war zone and burst through the Jehovah wormhole with an actinic explosion of supercharged particles.

Abbott clutched the arms of his seat and closed his eyes as the swirling fire of the membrane swallowed the shuttle and spat it out the other side, five hundred light years along the galactic rim. The transition seemed to twist him inside out and wring his soul dry. It left him light-headed and nauseous, his head fizzing with static.

When he opened his eyes, he was amazed to see the crew going about their business as if nothing had happened. They hung in their slings, slaved to the shuttle’s smartware nexus, hands drifting across touchpads and parallel sensors with the dreamy grace of narcoleptic ballerinas. The pilot was setting course from the Jehovah wormhole to its twin, a thousand parsecs across the star system, while an engineer and a smartware specialist communed with the shuttle as if in comas.

Abbott’s head still reeled.

Through the forward viewscreen, a delta strip above the command slings, he made out the main sequence primary, its lone planet in transit across the sun’s fiery disc. Ahead, a mirror image of the wormhole they had just left, its twin was a coruscating oval interface through which they would pass in six hours en route to Earth.

At least, he thought with relief, they were out of Kryte-controlled territory now. This intermediate system was technically in no-man’s land, strategically important and sporadically fought over.

“… though I walk through the valley of the shadow of death,” a woman’s voice intoned to his left.

He turned. Some neurological side-effect of the transition had blitzed his short-term memory.

“…I will fear no evil.”

He fingered his crucifix, where it rested on an inflamed area on his chest. Memory started to kick in… The smartware implant, fed in through his chest wall, from where it had infiltrated his entire body. The slave device.

He’d been in conversation with Major Travers, he recalled. Just before the jump. Something about a briefing…

“…For thou art with me.”

It came back to him now. Travers, a blocky grunt who did nothing to disguise her disdain of civilians in general and xeno-psychologists in particular, had been filling him in about the captured Kryte in the shuttle’s hold.

“You okay, Abbott?” Travers looked across at him now, her superior expression putting him in his place. She was an uncompromising-looking woman, with the look of a street-fighter, only accentuated by the reconstructive surgery that left half her face composed of n-gel – so nearly natural-looking, but not quite. Responses on that half of her face lagged a split second behind so that an expression would start on one side of her face and migrate to the left, a peristalsis of the self. “You look rough.”

“I’m fine. Where were we?” He sat up, attempting to look competent.

Travers smiled, her time-lagged smile that Abbott tried hard not to find disturbing. “I was telling you about the Devil,” she told him. “I was telling you about your Devil…”

Abbott held up a hand. “Please. I know they’re the enemy, but demonising them like that does nothing to foster understanding.”

Travers sneered. “I don’t want to understand the bastards, Abbott. I want to eradicate them.” As she said this, she ran a finger across the crucifix tattooed on her left forearm.

“The best way to win the war, or even to contain it, will be to come to some understanding of how the enemy works, how it thinks. Reducing a dangerous foe to stereotypes is self-defeating and foolhardy.”

Something flared in Travers’ eyes, a fighter’s response, an unthinking, uncomprehending reflex. “Listen, Abbott. I lost an entire platoon capturing that fucker back there. Twenty-five fine men and women, blitzed in an instant. If you think I give a damn about what I call the…”

Something in Abbott’s expression halted her tirade.

He reached out and laid a hand over hers. The touch froze her. He wondered at the last time she’d felt the contact of human flesh.

“Major, ten years ago an advanced strike of the Kryte’s rim division killed five thousand colonists on New Hampton. My wife and two year-old son were among the fatalities. Please don’t doubt my enmity towards the Kryte.”

She had the good grace to looked away, cowed.

Abbott went on, “So… where did you say we’d got to?”

“I was describing the… the Kryte. We’re of the opinion that it wasn’t a combat soldier.”

“I thought all Krytes in the forward sector were militia?”

She shook her head. “Not this one. It didn’t have battle armour, and wasn’t equipped with phase array nucleonics. It was in a sub-light shuttle, grounded behind the front line. It was attempting to get away when we broke through and disabled the ship.”

“So what do you think it was doing there?”

“Beats me,” Travers said. “Anyway, it didn’t have time to kill itself. We took it by surprise. It put up a hell of a fight, but we quelled the bastard. We contacted the sector base unit immediately. The rest you know.”

“This is our big chance, Major,” Abbott told her. “Our big chance to understand.”

He saw in her eyes that she knew that this time his use of the word understand had a more specific meaning. The Kryte were known to be extremely long-lived, under normal circumstances – perhaps even immortal. Humankind had never even come close to understanding the secret of this longevity until now. Only three Kryte had ever been captured alive before, so badly wounded that they’d died a few hours later without yielding their secret.

Travers was looking at him, her lop-sided expression unfathomable. “Do we really want to understand?” she asked, her tone even, controlled.


In Transit: in a future war-torn universe in which human expansion has come up against implacable alien enemies, Xeno-psychologist Abbott finds himself the guardian of a deadly Kryte, so that it can be taken to Earth to be studied. When they crash-land on the fortress planet of St Jerome, the alien prisoner turns the tables and takes Abbott into terrible custody. What follows is a terrifying journey across a hellish landscape towards a finale that might change the destiny of the Kryte and humanity, forever…

In Transit: included with six other collaborations in Parallax View by Keith Brooke and Eric Brown, both of whom have novels shortlisted for the 2012 Philip K Dick Award.

In Transit: “The stories in this collection are among the best science fiction. These are stories imbued with a rich intelligence and a deep sense of humanity. These are mature stories, tales of love and loss, of pleasure and pain. Cherish them.” —from the foreword by Stephen Baxter

Parallax View is available as an ebook from:
Barnes and Noble
…and as a paperback from:

Cover by Dominic Harman.

New: Parallax View by Keith Brooke & Eric Brown

“The stories in this collection are among the best science fiction. These are stories imbued with a rich intelligence and a deep sense of humanity. These are mature stories, tales of love and loss, of pleasure and pain. Cherish them.”
- from the foreword by Stephen Baxter

Both authors shortlisted for this year’s Philip K Dick Award. Cover by Dominic Harman.Parallax View by Keith Brooke and Eric Brown

Parallax View showcases ‘In Transit’, written specially for this collection, a novella set in a future war-torn universe in which human expansion has come up against the implacable Kryte. Xeno-psychologist Abbott finds himself the guardian of a deadly Kryte on a mission to study it on his return to Earth. When they crash-land on the fortress planet of St Jerome, the Kryte prisoner turns the tables and takes Abbott into terrible custody. What follows is a terrifying journey across a hellish landscape towards a finale that might change the destiny of the Kryte and humanity, forever…

Plus six other stories that examine the interface between human and alien – a parallax view from two of Britain’s top science fiction writers, both shortlisted for the 2012 Philip K Dick Award.

“Individually, Keith Brooke and Eric Brown purvey SF of the highest order: their stories have epic scope and a huge heart. The fusion of their talents is a sublime alchemy, a seamless pageant of humanity and wonder, eloquently expressed.”
James Lovegrove

“A stunning cluster of sf parables … Brooke and Brown possess the world-building ability of Frank Herbert, the same capacity for extrapolation and black humour that marked Philip K Dick’s work and a social conscience to rival that of Orwell’s …to view this book is to view science fiction at its very best.”
Paul Kane, Terror Tales

Parallax View is available as an ebook from:
Barnes and Noble
…and as a paperback from:

New: Blue Shifting by Eric Brown

Blue Shifting“The blue light thickened, blotting out Janner’s surroundings, and he existed in a displaced void-like limbo. Then the blue light vanished. Christ, he cried to himself, where the hell now?”

It begins with a feeling of euphoria, then the light, lapis lazuli, leaking from your body, intensifying, a blinding nimbus, then it’s gone. And so are you… somewhere, anywhere.

And it is happening to you every day.

This collection contains the novella Blue Shifting, plus seven other stories from the two-times winner of the British Science Fiction Award for Short Fiction.

Take a journey into an extraordinary universe…

…where life and love face the demands of mortality on planets as far flung as Nova Francais, Earth and Henderson’s Fall.

…where mankind has become Augmented or Altered, where zebra-men talk with unicorn-women.

…and where you can break the chains of physics in the cobalt glory of the Nada-continuum.

Available from:

New: infinity plus quintet

stories by Garry Kilworth, Lisa Tuttle, Neil Williamson, Stephen Palmer and Eric Brown
edited by Keith Brooke

infinity plus: quintetFive stories from top writers of speculative fiction: science fiction, fantasy and the downright strange, stories from the heart, stories to make you think and wonder.

The stories in this volume are:

“Filming the Making of the Film of the Making of Fitzcarraldo” by Garry Kilworth

“Flying to Byzantium” by Lisa Tuttle

“Arrhythmia” by Neil Williamson

“Dr Vanchovy’s Final Case” by Stephen Palmer

“The Girl Who Died for Art and Lived” by Eric Brown

Available from:

New: The Time-Lapsed Man and other stories by Eric Brown

The Time-lapsed Man and other stories by Eric BrownHe made a sound of pleasure as the hot water needled his tired skin. Yet he heard nothing. The silence was more absolute than any he had experienced before. After more than fifty shifts, a lifetime among the stars, this was his first rehabilitation problem, and he was not unduly worried…

In Eric Brown’s landmark first collection of stories, fear, desire, love and redemption are forged with an innovative and stunning science-fiction imagination, creating eight exotic tales of tomorrow. Witty, original, imbued with a cyberpunk bleakness, this is the work of one of the UK’s leading, and most loved, SF authors.

“The essence of modern science fiction” Bob Shaw

“SF infused with a cosmopolitan and literary sensibility” Paul McAuley

“British writing with a deft, understated touch: wonderful” New Scientist

The Time-Lapsed Man and other stories is available as an ebook from:

Coming soon

Genetopia by Keith BrookeIt’s been a quiet summer at infinity plus: real life has kept on getting in the way (getting married, lots of hospital stuff for the near and dear, my own illness, a stunning three-week honeymoon in New England and New York, and more).

But we’re back, we’re catching up, and we have an excellent line-up of things to come.

Here on the blog there will be interviews with Kit Reed, Jeff Noon and others. We’re guest-editing an issue of the British Science Fiction Association’s writing magazine, Focus (more details here soon – the line-up’s looking good). And, of course, there’s our main interest in publishing fine authors in ebook, and now print, editions.

Books coming up in the next two months include:

Eric Brown and Keith Brooke: Parallax View
A new print and e-edition of the collaborative collection, including a double-interview.

Eric Brown: Angels of Life and Death
New print and e-edition of one of our first books. This edition includes an additional story. The ebook edition is out already, and the print edition will follow soon.

Eric Brown: Blue Shifting
The first e-edition of this science-fiction collection.

Eric Brown: The Time-Lapsed Man and other stories
The first e-edition of this science-fiction collection, Eric Brown’s first book; contains some classic stories, including the title piece.

Garry Kilworth: On my Way to Samarkand
First print and e-edition of the autobiography of an author described by New Scientist as “arguably the finest writer of short fiction today, in any genre” and by Fear Magazine as “one of the most significant writers in the English language”.

Guy Hasson: Generation E
First edition of a short-story collection, from a writer long-associated with infinity plus.

Jason Erik Lundberg: Red Dot Irreal
First e-edition, including three original stories.

Jason Erik Lundberg: The Alchemy of Happiness
A new collection, including an interview with the author.

Keith Brooke: Genetopia
First print and e-editions of a novel described by Locus as “a minor masterpiece that should usher Brooke at last into the recognized front ranks of SF writers”. The ebook edition is out already, and the print edition will follow soon.

Nir Yaniv: The Love Machine
A new collection of short fiction, in print and e-editions, with a foreword by Lavie Tidhar.

Robert Freeman Wexler: In Spingdale Town
First e-edition, with a new afterword by the author.

In addition to all the above, we have another batch of five short stories in the infinity plus singles series, from Garry Kilworth, Lisa Tuttle, Stephen Palmer, Neil Williamson and Eric Brown, and more exciting titles for the new year.

Update on UK pricing for our print editions – good news!

One of Us by Iain RowanI posted recently about the unsatisfactory distribution – and erratic pricing – of our print editions in the UK. Prices were higher, with high postage rates; and just to complicate matters, prices could vary widely week to week; and all of this was beyond our control at infinity plus.

We have some very good news on this: CreateSpace (our print-on-demand supplier) and Amazon (our main distributor) have finally got their European act together!

Now you can order our print editions from Amazon’s UK and other European stores for a price we’ve set, with the advantage of Amazon’s normal delivery options (including free).

So what’s stopping you? Right now we have the following available:

  • Iain Rowan’s CWA Debut Dagger-shortlisted crime novel One of Us, at £7.99
  • Eric Brown‘s collection of psychological horror stories, Ghostwriting, which contains some of his finest writing to date, at £6.99
  • And bestselling children’s author Kaitlin Queen‘s first adult novel One More Unfortunate, at £7.99

Coming soon we’ll have Iain Rowan’s crime collection, Nowhere to Go, recently shortlisted by Spinetingler for a best crime collection award, plus more to be announced soon.

Ghostwriting by Eric BrownNowhere to Go by Iain RowanOne More Unfortunate by Kaitlin Queen

UK pricing for our print editions

So far, UK pricing and distribution for our print editions has been a bit erratic. For example, today’s prices at Amazon UK are £14.99, a hefty mark-up on the $11.99 US price; when I checked a couple of weeks ago the price was a much more reasonable £7.99…

Over at The Book Depository, however, the UK prices are much more reasonable, at £7.45 with free postage:



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