It started with a tweet in response to the publication of Granta’s Best Young Novelists list for 2013…
It is the most shattering experience of a writer’s life when he wakes one day and says quite reasonably, I will never make the Granta list.
For, alas, if a writer is past the age of 40 he or she is deemed too old to be promising.
Some of us would set that benchmark differently. Far too many years ago, for example, I had to ask the editors of Interzone to stop referring to me as a ‘promising young writer’ as I had turned the grand old age of 30.
But then seven years later I was suddenly young and promising again: back in 2003, in my YA guise as Nick Gifford, I was on Waterstones’ list of bright young things, aka Faces of the Future (sneakily published a few weeks ahead of Granta‘s list for that year).
So, to narrow down the criteria… For an alternative list we’re looking for promising writers over the age of 40. Or 30. Or something in between. Let’s say 40 – that’s Granta‘s glass ceiling, so let’s re-use it.
Genre? Well much as I’d like to set no such limitations, let’s face it: I know far more about genre authors than I do about the lit’ry mainstream, speculative fiction authors in particular. Even then, there are lots I’d be likely to miss out, purely through my own oversight.
Nationality? I’d rather not, but it’s convenient, so as I’m UK-based let’s keep it local by sticking to authors who are based here, published here or have some other strong claim to being promising in the UK.
But then, as the Twitter exchange developed, we started referring to Grumpy Old Writers.
Stamping down on the danger that we would branch into two rival lists almost as soon as we’d got started, let’s merge the two, and here are our criteria:
Promising speculative fiction authors with a UK presence, 40 or older, who I’m aware of and haven’t momentarily forgotten to include, and able to be grumpy about all these young upstarts invading our turf.
So who gets onto this list of significant oldcomers?
The Grampa List (first draft)
[also, please be reassured that I could be completely wrong here, both about the levels of grumpiness and the age...]
- David Barnett (has published some interesting stuff already, but destined to make a big splash with his forthcoming steampunkery from Tor)
- Chris Beckett (shortlisted for this year’s Arthur C Clarke and BSFA awards, perhaps he’s getting too much attention already)
- Eric Brown (the perennial professional, like bindweed he keeps on putting out superb stories, occasionally getting lots of attention and then just keeping on plugging away)
- Jaine Fenn (first novel only appeared five years ago, so definitely in the youngish upstart category)
- Jon Courtenay Grimwood (ooh… controversial: surely Jon’s profile lifts him above the promising category? Well yes, I’d hope that would be most people’s response, but has he really achieved the acclaim he deserves?)
- Dave Hutchinson (SF stalwart, capable of brilliance, and I wish he’d write more; and he’s promised to keep the grumpiness quotient up if others fall short)
- Liz Jensen (dark, creepy, slipstream, always interesting)
- Juliet McKenna (the kind of author this list could have been made for: a top-notch fantasy author who deserves a lot more success than a bunch of other fantasy authors I’m not going to name until you buy me another drink)
- Jeff Noon (bright young star who went quiet, but now is bursting back onto the scene with an anniversary edition of his classic Vurt, lots of reissues, online experimentation and pushing of limits, and new books, too)
- Ian Sales (such a fixture on the UK SF scene that most people probably think he’s published more than he has; winning this year’s BSFA short fiction award is surely the start of greater things)
- Anna Tambour (okay, the link is tenuous: she’s based in Australia but has had much of her work published in the UK; I’ve no idea how old she is; and anyway, I love her writing so she’s on my list – in fact, I like her work so much that I talked my way into writing a foreword for her first book and have subsequently produced ebook editions of two of her books)
- Jo Walton (too successful already? Perhaps, but much of her success has come in the US – over here she’s one of those who deserves more…)
- Liz Williams (…as is Liz Williams, a fabulous author who shrugs off genre limitations, and has also published the non-fiction Diary of a Witchcraft Shop)
- Neil Williamson (like David Barnett, Neil is a genuine old upstart, with some impressive short fiction publications behind him and a much-anticipated first novel due out in 2014)
Because of the rather unscientific approach taken here, I know this list is not comprehensive, hence my labelling it ‘draft’. Who else should be on it? Who shouldn’t? And what would an equivalent list be without the UK-ish restriction, or with some other arbitrary geographical limits?